Showing posts with label shellac resist technique. Show all posts
Showing posts with label shellac resist technique. Show all posts

Thursday, July 12, 2012

July Pots

I got around to glazing my latest cycle of pots.  All of these are cone 6 "B-Mix" from Laguna Clay.  My next batch will include a number of porcelain 5 pieces, but that's down the road a bit. . .

 I managed to break my favorite tea-pot while glazing it, and my favorite 18" platter was sufficiently cracked to earn a trip to the trash bin - as did a nice thick based vase that had enough moisture to blow its foot off.   But some pieces make me happy.  Evolution can be very slow sometimes.

Here they are -


Find more photos like this on Electric Cone 6 & Other Ways w/ Clay


A 14" tall lidded vase with RIOX wash and Sapphire Blue glaze
A 14" flower pot with dragonfly motif using shellac resist




My favorite mug of the batch - it's now my daily drinker.







Sunday, April 29, 2012

April Pots

I just finished a cycle and this batch was special to me. . .
My journey through various methods and styles has slowly but surely led to a style that I can confidently state is mine.  I've enjoyed the experience and now am producing pots that have my style and do what I want them to do.  It's just clay . . . mud, if you will, and the effects on the world are minimal.  But if a life needs passion to be a full life, and this medium is a catalyst that allows my passions to emerge, then it's effect is well worth the time and efforts involved.

Here's the latest batch, fresh from the kiln -
The phone-cam photos are a bit rough, but you get an idea - click on the images for more detail.

Great outcome - no glaze runs, no stuck lids, a solid ^5 firing. . .

This teapot is very light

Cookie jar with design relief

Genie Lamp Teapot

Udon Bowl

Experiment with Tenmoku glaze on inside, very nice results

Covered Casserole



A couple of the mugs -




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A 15" Platter


Saturday, April 7, 2012

I've started playing with a new technique.  It;s called shellac resist.  By painting a design in shellac on my leather-to-bone-hard post, I can create a a surface relief of the design by wet sponging away the surrounding clay.  The shellac doesn't allow the clay to be removed.  It works well and I'm still experimenting, but I like the results, so far. 



I also used one of my new gadgets.  It's an adjustable wooden mold that allows me to build a hexagonal shaped tray, any size up to 9 inches per side.  Here is a 22" platter I made with the jig.